The "PO" collection is an ongoing jewellery project inspired by poetry. ee pendant is created with steel 3D printing by binding together layers of steel powder, then tumbled and polished to produce a smooth finish. “[i carry your heart with me(i carry it in]” by e.e. cummings, 1952   i carry your heart with me (i carry it in my heart) i am never without it (anywhere i go you go, my dear; and whatever is done by only me is your doing, my darling) i fear no fate (for you are my fate, my sweet) i want no world (for beautiful you are my world, my true) and it's you are whatever a moon has always meant and whatever a sun will always sing is you here is the deepest secret nobody knows (here is the root of the root and the bud of the bud and the sky of the sky of a tree called life; which grows higher than soul can hope or mind can hide) and this is the wonder that's keeping the stars apart  i carry your heart (i carry it in my heart)

The "PO" collection is an ongoing jewellery project inspired by poetry.

"ee" pendant is created with steel 3D printing by binding together layers of steel powder, then tumbled and polished to produce a smooth finish.

“[i carry your heart with me(i carry it in]” by e.e. cummings, 1952

 

i carry your heart with me (i carry it in

my heart) i am never without it (anywhere

i go you go, my dear; and whatever is done

by only me is your doing, my darling)

i fear

no fate (for you are my fate, my sweet) i want

no world (for beautiful you are my world, my true)

and it's you are whatever a moon has always meant

and whatever a sun will always sing is you

here is the deepest secret nobody knows

(here is the root of the root and the bud of the bud

and the sky of the sky of a tree called life; which grows

higher than soul can hope or mind can hide)

and this is the wonder that's keeping the stars apart

 

i carry your heart (i carry it in my heart)

Penberthy detected in Cummings a “nineteenth-century romantic reverence for natural order over man-made order, for intuition and imagination over routine-grounded perception. His exalted vision of life and love is served well by his linguistic agility. He was an unabashed lyricist, a modern cavalier love poet. But alongside his lyrical celebrations of nature, love, and the imagination are his satirical denouncements of tawdry, defiling, flat-footed, urban and political life—open terrain for invective and verbal inventiveness.”

Source: www.poetryfoundation.org